
Tries to estimate the users' bandwidth on pages with integrated YouTube videos.

Used to check if the user's browser supports cookies. Registers a unique ID that is used by Google to keep statistics of how the visitor uses YouTube videos acr oss different websites. Used by Google DoubleClick to register and report the website user's actions after viewing or clicking one of the advertiser's ads with the purpose of measuring the efficacy of an ad and to present targeted ads to the user. Registers a unique ID on mobile devices to enable tracking based on geographical GPS location. We use Youtube service to demonstrate our products. Used by the content network, Cloudflare, to identify trusted web traffic. Preserves user session state across page requests. The website cannot function properly without these cookies. Necessary cookies help make a website usable by enabling basic functions like page navigation and access to secure areas of the website. Note: this pack contain only vocal chops, other sounds taken from construction kits from previous sample packs and not included. Be sure, that content make your music more interesting and solid! For better learning we include dry loops for vocal chops. All loops are key labelled and synced to any BPM. Vocal chops can be used as in breakdown with our previous sample packs from «Vocal Atmospheres» series, as in massive trance 2.0 drops and even with drive basslines and we show it to you how it works in demo-track.
#Lounge sample chops series#
In contrast with other parts of that series we expand and make it more mesmerising and universal. Laniakea Sounds are back with «Progressive Vocal Chops 5» - a authentic and inspiration collection of chopped and processed vocal loops with special atmospheres sounding for Progressive Trance and Progressive House music.Īfter a big success of previous volumes of «Progressive Vocal Chops» we are proud to present unique sample pack filled a breathtaking and soft vocal chops suitable for all styles of progressive music in most popular 128 BPM.
